Futurama Episode Identity and Film-Edition Reconciliation Report

Full report

On this page

File: HR24-report.md

Navigating the Catalog: Public Episode-Identification Guide

Navigating the episode ordering and historical continuity of the animated science fiction series Futurama presents one of the most labyrinthine challenges in modern television cataloging and database architecture. Because the series was canceled, revived through a series of direct-to-video feature films, and subsequently resurrected by two different television networks across different decades, attempting to rely on a universal "Season X, Episode Y" (SxxExx) format inevitably leads to structural contradictions. What one digital streaming platform labels as Season 6, another international syndicator labels as Season 5, and yet another physical media release categorizes as Volume 8\. To navigate this database—and the broader digital fandom—it is essential to decouple the production order from the broadcast order, and further isolate both from third-party streaming provider indexing1.

The original run of Futurama on the Fox network consisted of four distinct production seasons, designated internally by the alphanumeric codes 1ACV through 4ACV. However, Fox executives frequently preempted the series and aired these episodes out of their intended narrative sequence, stretching the four production blocks across five broadcast seasons1. This executive decision established the foundational schism in the franchise's episode identification: the series creators, writers, and animation crew categorize episodes by the order in which they were written and produced, while original broadcast metadata relies strictly on the dates they first aired on television. For the sake of internal narrative logic and character continuity, the alphanumeric production order remains the definitive, objective sequence. Nevertheless, modern databases must account for users who search based on the numbers printed on regional DVD boxes or network television guides1.

The cataloging complexity deepens significantly with the advent of the fifth production season (5ACV). Following the initial Fox cancellation, Futurama was revived in 2007 through a unique syndication and distribution agreement to produce four feature-length, direct-to-DVD films: Bender's Big Score, The Beast with a Billion Backs, Bender's Game, and Into the Wild Green Yonder3. These four films, each running approximately 88 to 89 minutes, represent the entirety of the 5ACV production cycle. However, a subsequent syndication deal with Comedy Central resulted in these four unified films being artificially sliced into 16 standard-length television segments (four segments per film). Comedy Central broadcast these segments as a "new" season of television, creating a scenario where a single narrative property holds dual, conflicting identities3. A user searching a database for "Season 5" could be looking for the Fox broadcast leftovers, the original direct-to-DVD films, or the Comedy Central serialized television cuts.

When Comedy Central formally renewed the series for full, traditional 22-minute television episodes, the production team utilized the 6ACV and 7ACV production codes. The 6ACV production cycle consisted of 26 episodes, which Comedy Central split across two broadcast years (2010 and 2011). Because Comedy Central considered the 16 film segments to be its own "Season 6," the new 6ACV episodes were often marketed as "Season 7" on television7. Conversely, physical media releases labeled them as Volume 5 and Volume 68. Modern streaming platforms, such as Hulu and Disney+, have further altered the taxonomy. Hulu indexes the 6ACV episodes as Season 7 and Season 8, placing late 6ACV episodes like Overclockwise and Reincarnation at the end of its Season 8 catalog1.

To reconcile these severe divergences, this database architecture prioritizes the alphanumeric production codes (e.g., 6ACV25) as the primary, immutable identifier. A production code is a static, evidenced artifact embedded in the scripts, storyboards, and official production documentation. It remains completely immune to the whims of streaming providers and regional distributors. When interacting with the search functions of this catalog, users should be aware that searching for an ambiguous SxxExx coordinate may trigger a synthetic lookup prompt, asking them to clarify whether they intend the Fox broadcast order, the Comedy Central broadcast order, or the current Hulu indexing. An ambiguous query must not silently prefer the newest release, as doing so obfuscates the historical reality of the franchise's distribution.

Episodes such as Overclockwise and Reincarnation serve as prime examples of this structural ambiguity. Both were produced at the end of the 6ACV cycle during a period when the series' future was highly uncertain. Overclockwise (6ACV25) was explicitly written by Ken Keeler as an open-ended potential series finale, followed immediately by the anthology special Reincarnation (6ACV26), which served as the broadcast finale for the season9. Depending on the source accessed, these two episodes are listed as the conclusion of Season 6, Season 7, or Season 8\. Furthermore, historical fan reports have occasionally misattributed their production codes, assigning them to 6ACV24 and 6ACV25 respectively. Independent verification confirms their true placement as the final two entries of the 6ACV block, overriding legacy assumptions10.

When contributing to this catalog or investigating edition identities, editors must strictly separate original domestic US releases, subsequent regional international broadcasts, and physical media volumes into distinct observation records. Do not assume that a DVD release date applies to the television broadcast, nor that a four-part television cut shares the exact runtime or scene boundaries of its parent film. By maintaining a strict adherence to independent verification and isolating claims by their source, the community can ensure that the catalog remains a precise, reliable tool for navigating the show's complex history.

Reconciliation Case Studies

Bender's Big Score

Bender's Big Score serves as the inaugural film of the direct-to-video revival and constitutes the first block of the 5ACV production cycle (5ACV01 through 5ACV04)4. Directed by Dwayne Carey-Hill and written by Ken Keeler, the 89-minute film fundamentally explores themes of time travel, consequences, and loss. The narrative follows nudist alien scammers who utilize a time paradox code tattooed on Philip J. Fry’s buttocks to repeatedly send Bender back in time to steal Earth's historical treasures. The film features an extensive guest cast, including Sarah Silverman reprising her role as Michelle, Mark Hamill as the Chanukah Zombie, Coolio as Kwanzaa-bot, and Al Gore as himself4.

Evidence confirms the film was released on DVD in the United States on November 27, 2007, marking the first new Futurama content since the 2003 finale4. The DVD edition included substantial supplementary material, such as an animated short promoting Al Gore's An Inconvenient Truth and a full-length 22-minute episode of the show-within-a-show, Everybody Loves Hypnotoad4.

Subsequently, the film was divided into four television segments, which made their broadcast premiere on Comedy Central on March 23, 200813. A fundamental cataloging error frequently occurs when fan databases attempt to divide the film's 89-minute runtime mathematically by four to establish television segment boundaries. A syndication distribution agreement does not dictate exact scene boundaries; television cuts often contain distinct title sequences, recap montages, and localized cliffhangers specifically edited for commercial breaks. Because the TV cuts possess distinct structural pacing, the 16 segments hold a separate identity from the parent film. As direct inspection of the original Comedy Central segmented broadcast videos is unavailable at the time of this assignment, the exact opening and closing scenes of the four television slots (5ACV01, 5ACV02, 5ACV03, and 5ACV04) remain unverified and are placed in a held status to prevent the fabrication of runtime data.

The Beast with a Billion Backs

The second feature in the 5ACV cycle, The Beast with a Billion Backs, was directed by Peter Avanzino and written by Eric Kaplan. The 89-minute film was released domestically on DVD on June 24, 200815. Following the temporal anomalies created in the previous film, a tear in the universe opens, revealing Yivo, a planet-sized, tentacled entity from another universe voiced by David Cross. Yivo utilizes Fry as a mouthpiece to orchestrate a mass romantic relationship with the entire population of Earth, leading humanity to voluntarily evacuate the planet to live on Yivo's body. The film also features Stephen Hawking and Brittany Murphy in guest roles16. The DVD edition included a unique extra titled Futurama: The Lost Adventure, which repurposed cinematics from the 2003 Futurama video game into a standalone episode narrative5.

The television serialization followed later that year, with the four parts broadcasting consecutively on Comedy Central on October 19, 20083. Similar to its predecessor, the parent film holds a unified identity distinct from its broadcast counterparts. The television segments (5ACV05 through 5ACV08) are historically listed as broadcast episodes in legacy network schedules, but no exact scene delineations or precise runtimes for the broadcast cuts can be independently verified without access to the localized media files. Therefore, the segment slots are acknowledged as existing in production numbering but are formally held from being merged into the parent film's primary narrative record.

Bender's Game

Bender's Game, the third direct-to-video feature, marks a significant stylistic departure for the series, shifting from science fiction into high fantasy. The 88-minute film saw its domestic physical media release on DVD and Blu-ray on November 4, 200818. Written by Eric Horsted and directed by Dwayne Carey-Hill, the plot centers on Mom's artificial inflation of Dark Matter prices, prompting the Planet Express crew to intervene. Simultaneously, Bender's obsession with the game Dungeons & Dragons causes a psychological break, resulting in his imagination merging with the "Die of Power" to drag the crew into a medieval fantasy realm6. The film features a guest appearance by George Takei17.

The television segments (5ACV09 through 5ACV12) were broadcast on Comedy Central on April 26, 20096. The distinction between the film edition and the segmented edition is highly critical here, as the narrative shift into the fantasy realm creates a jarring transition that must be handled precisely in commercial television cuts. While fan wikis often estimate where Part 1 ends and Part 2 begins, an official segment identity requires the original broadcast evidence to confirm where syndicators placed the cuts and title sequences. The parent film is verified as a complete, singular work, but the four segments remain distinct observation slots pending direct inspection.

Into the Wild Green Yonder

The final film of the 5ACV production cycle, Into the Wild Green Yonder, concluded the direct-to-video era. The 89-minute film was released domestically on DVD and Blu-ray on February 24, 200920. Directed by Peter Avanzino and written by Ken Keeler, the plot revolves around the construction of a new Mars Vegas, which threatens the ecosystem of a violet dwarf star system. Fry mysteriously gains telepathic abilities and is recruited by a secret society of eco-feminists, while Bender begins an affair with the Donbot's wife. The film features guest performances by Penn Jillette and Snoop Dogg16.

Because Into the Wild Green Yonder was originally intended as a potential finale for the entire series before Comedy Central ultimately commissioned new 22-minute episodes, its narrative is deliberately sweeping and concludes with an open-ended jump into a wormhole. Comedy Central broadcast the four segmented parts (5ACV13 through 5ACV16) on August 30, 2009, effectively marking the end of the "Season 5" television era3. The segments are held pending direct source inspection of the broadcast cuts, while the parent film identity is verified and recorded as an independent article.

Overclockwise

Overclockwise represents a critical point of numbering divergence in the Futurama catalog. An inherited cable report previously claimed this episode held the production code 6ACV24. This legacy claim is definitively disputed and successfully corrected by independent review: the episode is officially verified as production code 6ACV251.

Written by Ken Keeler and directed by Raymie Muzquiz, the episode aired on September 1, 20119. The narrative follows Cubert overclocking Bender to improve his performance in an online video game. The illegal modification incurs the wrath of Mom, who sues Professor Farnsworth and attempts to reset Bender. As Bender's processing power grows exponentially, he becomes an omniscient entity capable of predicting the future, ultimately using this power to foresee the ultimate fate of Fry and Leela's on-again, off-again romantic relationship. The episode was deliberately penned as an open-ended series finale due to ongoing renewal uncertainties at Comedy Central8.

In terms of provider ordering, Hulu currently indexes Overclockwise as Season 8, Episode 12, whereas physical media releases group it into Volume 6 alongside the latter half of the 6ACV production block1. The episode identity is fully supported, and the correction from 6ACV24 to 6ACV25 is formally proposed and evidenced. The production code 6ACV24 is definitively assigned to the episode Cold Warriors, in which Fry reintroduces the common cold to the 31st century22.

Reincarnation

The anthology episode Reincarnation closes the 6ACV production block. An earlier cable report presented conflicting claims, assigning it either 6ACV25 or 6ACV26. Independent evidence strictly corroborates the production code 6ACV2610. Written by Aaron Ehasz and directed by Peter Avanzino, the episode aired on September 8, 2011, serving as the official television finale to the 6ACV broadcast run10.

Reincarnation deviates entirely from the show's standard animation style, presenting three unique narrative segments linked by the discovery and destruction of a diamondium comet. The first segment, "Colorama," is animated in a 1930s black-and-white rubber-hose style. The second, "Future Challenge 3000," is rendered in a low-resolution 8-bit video game aesthetic and features a guest voice appearance by Stephen Hawking. The third segment, "Action Delivery Force," is drawn in an exaggerated 1980s anime style, notably featuring David Herman voicing Professor Farnsworth instead of regular cast member Billy West10.

Hulu lists this episode as Season 8, Episode 131. The episode identity is confirmed, and the legacy claim of 6ACV25 is rejected with documented evidence, cementing Reincarnation as the definitive conclusion to the 6ACV cycle.

Missing Evidence, Disagreements, and Integration Cautions

Missing Evidence: Direct observation of the 16 episodic television cuts from the 5ACV cycle is missing from the current media library. Relying on secondary transcriptions, legacy cable schedules, or wiki summaries of "where Part 1 ends" is insufficient for establishing a verified catalog identity. Syndication cuts often involve unique fades, specialized title cards, and minor scene trimming to accommodate commercial breaks. Until these original broadcast files can be inspected, the exact segment boundaries remain undefined.

Disagreements: The inherited dossier claimed that Overclockwise was 6ACV24 and Reincarnation was 6ACV25. This conflicts directly with primary production evidence, which places Cold Warriors at 6ACV24, Overclockwise at 6ACV25, and Reincarnation at 6ACV2610. These legacy claims have been logged as disputed and corrected in the provided datasets.

Integration Cautions: Editors must not merge the parent-film metadata with the segment metadata within the catalog. They represent distinct media artifacts with different release dates, formats, and structural compositions. An ambiguous user query for "Season 5" or "Season 8" should not silently route to Hulu's current indexing without offering a synthetic lookup prompt to clarify the user's intent. Treating a provider's display order as equivalent to a historical production reality will permanently corrupt the integrity of the timeline.

File: HR24-catalog-candidates.json

 

 

 

JSON

\[ { "kind": "article", "slug": "public-episode-identification-guide", "title": "Navigating the Futurama Catalog: Episode Identification Guide", "subtitle": "Understanding Production Codes, Broadcast Seasons, and Streaming Order", "summary": "A comprehensive guide to understanding the complex episode numbering systems of Futurama, including the Fox era, the direct-to-DVD films, the Comedy Central revival, and modern streaming platform indexing.", "body": "Navigating the episode ordering and historical continuity of the animated science fiction series Futurama presents one of the most labyrinthine challenges in modern television cataloging and database architecture. Because the series was canceled, revived through a series of direct-to-video feature films, and subsequently resurrected by two different television networks across different decades, attempting to rely on a universal 'Season X, Episode Y' (SxxExx) format inevitably leads to structural contradictions. What one digital streaming platform labels as Season 6, another international syndicator labels as Season 5, and yet another physical media release categorizes as Volume 8\. To navigate this database, it is essential to decouple the production order from the broadcast order, and further isolate both from third-party streaming provider indexing.\\n\\nThe original run of Futurama on the Fox network consisted of four distinct production seasons, designated internally by the alphanumeric codes 1ACV through 4ACV. However, Fox executives frequently preempted the series and aired these episodes out of their intended narrative sequence, stretching the four production blocks across five broadcast seasons. This executive decision established the foundational schism in the franchise's episode identification: the series creators, writers, and animation crew categorize episodes by the order in which they were written and produced, while original broadcast metadata relies strictly on the dates they first aired on television. For the sake of internal narrative logic and character continuity, the alphanumeric production order remains the definitive, objective sequence. Nevertheless, modern databases must account for users who search based on the numbers printed on regional DVD boxes or network television guides.\\n\\nThe cataloging complexity deepens significantly with the advent of the fifth production season (5ACV). Following the initial Fox cancellation, Futurama was revived in 2007 through a unique syndication and distribution agreement to produce four feature-length, direct-to-DVD films: Bender's Big Score, The Beast with a Billion Backs, Bender's Game, and Into the Wild Green Yonder. These four films represent the entirety of the 5ACV production cycle. However, a subsequent syndication deal with Comedy Central resulted in these four unified films being artificially sliced into 16 standard-length television segments (four segments per film). Comedy Central broadcast these segments as a 'new' season of television, creating a scenario where a single narrative property holds dual, conflicting identities. A user searching a database for 'Season 5' could be looking for the Fox broadcast leftovers, the original direct-to-DVD films, or the Comedy Central serialized television cuts.\\n\\nWhen Comedy Central formally renewed the series for full, traditional 22-minute television episodes, the production team utilized the 6ACV and 7ACV production codes. The 6ACV production cycle consisted of 26 episodes, which Comedy Central split across two broadcast years (2010 and 2011). Because Comedy Central considered the 16 film segments to be its own 'Season 6,' the new 6ACV episodes were often marketed as 'Season 7' on television. Conversely, physical media releases labeled them as Volume 5 and Volume 6\. Modern streaming platforms, such as Hulu and Disney+, have further altered the taxonomy. Hulu indexes the 6ACV episodes as Season 7 and Season 8, placing late 6ACV episodes like Overclockwise and Reincarnation at the end of its Season 8 catalog.\\n\\nTo reconcile these severe divergences, this database architecture prioritizes the alphanumeric production codes (e.g., 6ACV25) as the primary, immutable identifier. A production code is a static, evidenced artifact embedded in the scripts, storyboards, and official production documentation. It remains completely immune to the whims of streaming providers and regional distributors. When interacting with the search functions of this catalog, users should be aware that searching for an ambiguous SxxExx coordinate may trigger a synthetic lookup prompt, asking them to clarify whether they intend the Fox broadcast order, the Comedy Central broadcast order, or the current Hulu indexing.\\n\\nEpisodes such as Overclockwise and Reincarnation serve as prime examples of this structural ambiguity. Both were produced at the end of the 6ACV cycle during a period when the series' future was highly uncertain. Overclockwise (6ACV25) was explicitly written as an open-ended potential series finale, followed immediately by the anthology special Reincarnation (6ACV26). Depending on the source accessed, these two episodes are listed as the conclusion of Season 6, Season 7, or Season 8\. Furthermore, historical fan reports have occasionally misattributed their production codes. Independent verification confirms their true placement as the final two entries of the 6ACV block, overriding legacy assumptions.\\n\\nWhen contributing to this catalog or investigating edition identities, editors must strictly separate original domestic US releases, subsequent regional international broadcasts, and physical media volumes into distinct observation records. Do not assume that a DVD release date applies to the television broadcast, nor that a four-part television cut shares the exact runtime or scene boundaries of its parent film. By maintaining a strict adherence to independent verification and isolating claims by their source, the community can ensure that the catalog remains a precise, reliable tool for navigating the show's complex history.", "image\_key": "home", "published": 0, "featured": 0, "spoiler": 0, "production\_code": null, "production\_season": null, "production\_episode": null, "broadcast\_season": null, "broadcast\_episode": null, "network": "", "air\_date": null, "species": null, "occupation": null, "homeworld": null, "source\_url": "" }, { "kind": "episode", "slug": "overclockwise", "title": "Overclockwise", "subtitle": "Bender's Ascension", "summary": "Cubert overclocks Bender to improve his performance in an online game, leading Bender to gradually become omniscient. Meanwhile, Leela reevaluates her relationship with Fry.", "body": "Cubert Farnsworth overclocks Bender to boost his performance in an online game. After being defeated online by the upgraded Bender, Walt, Larry, and Igner complain to Mom. Mom has Cubert and Professor Farnsworth arrested for violating Bender's license agreement by overclocking him, and she sends an army of robots to capture Bender and reset him to factory settings. Due to his overclocking, Bender gains heightened intelligence and the ability to anticipate future probabilities. He hooks himself up to a water cooler behind Niagara Falls to prevent overheating, destroys Mom's capture robots, and expands his computing capacities.\\n\\nMeanwhile, Leela voices concerns to Fry regarding the uncertain future of their on-again, off-again relationship. At a trial presided over by Judge Ron Whitey, Cubert and Professor Farnsworth are ordered to find Bender and are fined $10,000 every day until he is located. The daily fines drive Planet Express out of business, prompting Leela to leave the company and sadly break up with Fry. Heartbroken, Fry attempts suicide by going over Niagara Falls in a barrel, where he discovers Bender's cave. Fry asks Bender if he and Leela have a future together; Bender stays silent, looks sad, and tells Fry to leave.\\n\\nDuring the trial, Bender has a change of heart and appears in court, accusing Mom of unfairly prosecuting Cubert, a minor. Fearing jury sympathy, Mom drops the charges against Cubert to focus solely on the Professor. Bender immediately seeks a mistrial based on double jeopardy, arguing that dropping charges against Cubert (a clone) legally clears Professor Farnsworth (the original person). The case is dismissed. Enraged, Mom forcibly captures Bender and resets him to factory settings.\\n\\nAt the conclusion, Leela returns to Fry, still questioning what the future holds for their relationship. Bender reveals that he wrote down his prediction of their future before being reset. Fry and Leela read it together privately off-screen. While the exact text is not shown, their emotional reactions indicate that their relationship will experience significant turbulence but will ultimately reach a happy resolution. The episode was notably written by Ken Keeler as a potential open-ended series finale before Comedy Central renewed the series for a seventh production season.", "image\_key": "episodes", "published": 0, "featured": 0, "spoiler": 1, "production\_code": "6ACV25", "production\_season": 6, "production\_episode": 25, "broadcast\_season": 8, "broadcast\_episode": 12, "network": "Comedy Central", "air\_date": "2011-09-01", "species": null, "occupation": null, "homeworld": null, "source\_url": "https://en.wikipedia.org/wiki/Overclockwise" }, { "kind": "episode", "slug": "reincarnation", "title": "Reincarnation", "subtitle": "Three Unique Animation Styles", "summary": "An anthology episode depicting the Planet Express crew in three distinct retro animation styles, connected by a central plot involving a diamondium comet.", "body": "The episode serves as the finale to the sixth production season and features three segments, each showcasing Futurama reincarnated in a different style of animation. The overarching plot connects through the discovery and destruction of a diamondium comet. A running joke throughout the episode is that crucial plot elements are visually obscured by the constraints of the animation style used in that particular segment.\\n\\nIn the first segment, 'Colorama,' animated in a 1930s black-and-white Fleischer and Walter Lantz style, Professor Farnsworth discovers a diamondium comet. Fry attempts to secure a diamond from the comet for Leela, utilizing a doomsday device. The resulting explosion splits the comet, sending one half into the sun to create a rainbow, and the second half into the rainbow to create an entirely new color. Despite the characters marveling at the breathtaking sight, the black-and-white animation prevents the audience from seeing it. Dust from the crumbling comet falls onto Planet Express, crystallizing and trapping Fry and Leela together in a giant diamond.\\n\\nIn the second segment, 'Future Challenge 3000,' rendered in a low-resolution 8-bit video game style featuring a guest voice appearance by Stephen Hawking, the Professor creates a powerful microscope from the comet debris to find the smallest unit of matter. He formulates a grand equation explaining the mysteries of the universe, depicted as a pixelated squiggle. He falls into a deep depression realizing there are no more scientific mysteries to solve, until Fry poses a philosophical question about why the universe's laws exist the way they do, giving the scientists renewed purpose.\\n\\nIn the final segment, 'Action Delivery Force,' drawn in an exaggerated anime style, a species of gelatinous aliens angered by the comet's destruction attack Earth in retaliation. The crew attempts to declare peace, but the aliens only communicate through body language. Fry and Bender's attempts to dance are misinterpreted as hostility. Dr. Zoidberg saves the day by shedding his shell to perform an elaborate peace dance. Due to the anime style, this intricate dance is depicted simply as Zoidberg holding still in static poses while the camera pans across his body.", "image\_key": "episodes", "published": 0, "featured": 0, "spoiler": 1, "production\_code": "6ACV26", "production\_season": 6, "production\_episode": 26, "broadcast\_season": 8, "broadcast\_episode": 13, "network": "Comedy Central", "air\_date": "2011-09-08", "species": null, "occupation": null, "homeworld": null, "source\_url": "https://en.wikipedia.org/wiki/Reincarnation\_(Futurama)" }, { "kind": "article", "slug": "benders-big-score", "title": "Bender's Big Score", "subtitle": "Futurama Direct-to-Video Feature Film", "summary": "The first of four direct-to-video feature films marking the revival of Futurama, involving time travel, nudist alien scammers, and the fate of the universe.", "body": "Bender's Big Score is a 2007 American animated science fiction action comedy film and the first feature-length production based on the animated series Futurama. It marks the beginning of the 5ACV production cycle and the revival of the franchise following its cancellation by Fox in 2003.\\n\\nDirected by Dwayne Carey-Hill and written by Ken Keeler, the 89-minute film fundamentally explores themes of time travel, emotional consequences, and loss. The narrative follows a trio of nudist alien scammers who execute a hostile takeover of Planet Express. They discover a paradox-correcting time travel code mysteriously tattooed on Philip J. Fry’s buttocks. Utilizing a hacking virus, they assume control of Bender and repeatedly send him back in time to steal Earth's most valuable historical treasures. Fry escapes into the past, living an alternate life while the scammers systematically loot history.\\n\\nThe film features an extensive guest cast, including Sarah Silverman reprising her role as Fry's ex-girlfriend Michelle, Mark Hamill as the Chanukah Zombie, Coolio as Kwanzaa-bot, and Al Gore portraying himself. The DVD release on November 27, 2007, included substantial supplementary material, such as an animated short promoting Al Gore's environmental documentary and a full-length episode of the show-within-a-show, Everybody Loves Hypnotoad.\\n\\nIn 2008, the film was divided into four standard-length television segments for syndication on Comedy Central. The broadcast edits are recognized as episodes 5ACV01 through 5ACV04, though the exact scene boundaries of these television cuts differ structurally from the unified film experience.", "image\_key": "home", "published": 0, "featured": 0, "spoiler": 1, "production\_code": null, "production\_season": null, "production\_episode": null, "broadcast\_season": null, "broadcast\_episode": null, "network": "", "air\_date": null, "species": null, "occupation": null, "homeworld": null, "source\_url": "https://en.wikipedia.org/wiki/Futurama:\_Bender%27s\_Big\_Score" }, { "kind": "article", "slug": "the-beast-with-a-billion-backs", "title": "The Beast with a Billion Backs", "subtitle": "Futurama Direct-to-Video Feature Film", "summary": "The second direct-to-video Futurama film, featuring a tear in the universe and a planet-sized tentacle monster seeking universal romance.", "body": "The Beast with a Billion Backs is the second feature-length film in the 5ACV production cycle, directed by Peter Avanzino and written by Eric Kaplan. Released on DVD on June 24, 2008, the 89-minute film directly follows the temporal consequences established in Bender's Big Score.\\n\\nThe narrative centers on a massive tear in the fabric of the universe, a direct result of the excessive time paradoxes created by the nudist alien scammers. The anomaly reveals Yivo, a planet-sized, tentacled entity from another universe, voiced by guest star David Cross. Rather than a hostile invasion, Yivo seeks a romantic connection with the inhabitants of Earth. Using Fry as its primary mouthpiece and emissary, Yivo orchestrates a mass courtship, eventually convincing the entire human and mutant population to voluntarily evacuate Earth to live in harmony on Yivo's body.\\n\\nThe film includes guest performances by Stephen Hawking and Brittany Murphy. The initial physical media release featured a unique supplementary extra titled Futurama: The Lost Adventure, which repurposed full-motion video cinematics from the 2003 Futurama video game into a standalone episode narrative. The film was later syndicated by Comedy Central as four discrete television segments (5ACV05 through 5ACV08), airing on October 19, 2008.", "image\_key": "home", "published": 0, "featured": 0, "spoiler": 1, "production\_code": null, "production\_season": null, "production\_episode": null, "broadcast\_season": null, "broadcast\_episode": null, "network": "", "air\_date": null, "species": null, "occupation": null, "homeworld": null, "source\_url": "https://en.wikipedia.org/wiki/Futurama:\_The\_Beast\_with\_a\_Billion\_Backs" }, { "kind": "article", "slug": "benders-game", "title": "Bender's Game", "subtitle": "Futurama Direct-to-Video Feature Film", "summary": "The third direct-to-video Futurama film, exploring a dark matter energy crisis and a descent into a high-fantasy, Dungeons & Dragons-inspired alternate reality.", "body": "Bender's Game is the third direct-to-video feature in the Futurama 5ACV production block. Written by Eric Horsted and directed by Dwayne Carey-Hill, the 88-minute film saw its domestic physical media release on DVD and Blu-ray on November 4, 2008\. The film marks a significant stylistic departure for the franchise, transitioning from traditional science fiction satire into medieval high fantasy.\\n\\nThe plot revolves around a severe energy crisis triggered by Mom, who artificially inflates the price of Dark Matter to solidify her monopoly. Professor Farnsworth reveals his historical involvement in the discovery of Dark Matter's energy potential and possesses an anti-crystal capable of rendering the fuel useless. Concurrently, Bender develops a dangerous psychological obsession with the role-playing game Dungeons & Dragons, leading to his institutionalization at a robot asylum.\\n\\nDuring the confrontation at Mom's Dark Matter mine, the anti-crystal reacts with the dark matter reserves and Bender's fractured psyche, dragging the Planet Express crew into Cornwood, a fantasy realm where they manifest as archetypal RPG characters. The film features a guest appearance by George Takei and relies heavily on deep-cut fantasy tropes and Tolkien parodies. It was broadcast on Comedy Central as four television segments (5ACV09 through 5ACV12) on April 26, 2009.", "image\_key": "home", "published": 0, "featured": 0, "spoiler": 1, "production\_code": null, "production\_season": null, "production\_episode": null, "broadcast\_season": null, "broadcast\_episode": null, "network": "", "air\_date": null, "species": null, "occupation": null, "homeworld": null, "source\_url": "https://en.wikipedia.org/wiki/Futurama:\_Bender%27s\_Game" }, { "kind": "article", "slug": "into-the-wild-green-yonder", "title": "Into the Wild Green Yonder", "subtitle": "Futurama Direct-to-Video Feature Film", "summary": "The final direct-to-video Futurama film, detailing a cosmic struggle between nature and development, eco-feminism, and mind-reading abilities.", "body": "Into the Wild Green Yonder represents the conclusion of the 5ACV direct-to-video era of Futurama. Directed by Peter Avanzino and written by Ken Keeler, the 89-minute film was released domestically on DVD and Blu-ray on February 24, 2009\. Because the production team was uncertain if Comedy Central would order further traditional episodes, the film was intentionally crafted as a potential grand finale for the entire franchise.\\n\\nThe narrative follows the construction of a massive new casino, Mars Vegas, spearheaded by Leo Wong. The development threatens to destroy the ecosystem of a violet dwarf star system, which holds immense cosmic significance. Fry miraculously survives a telepathic accident and gains the ability to read minds, leading to his recruitment by the Legion of Mad Fellows, a secret society dedicated to preserving the universe's natural order. Concurrently, Leela joins a radical eco-feminist group to protest the development, and Bender begins a dangerous affair with the Donbot's wife, Fanny.\\n\\nThe film features guest voice performances by Penn Jillette and Snoop Dogg. The storyline culminates in an epic, open-ended sequence where the Planet Express ship flees authorities by diving into an unknown wormhole, leaving the fate of the crew ambiguous. This conclusion served as the series finale until the 6ACV television revival. The film was broadcast on Comedy Central as four television segments (5ACV13 through 5ACV16) on August 30, 2009.", "image\_key": "home", "published": 0, "featured": 0, "spoiler": 1, "production\_code": null, "production\_season": null, "production\_episode": null, "broadcast\_season": null, "broadcast\_episode": null, "network": "", "air\_date": null, "species": null, "occupation": null, "homeworld": null, "source\_url": "https://en.wikipedia.org/wiki/Futurama:\_Into\_the\_Wild\_Green\_Yonder" } \]

File: HR24-research.json

 

 

 

JSON

{ "schema\_version": "hulurama-research-1", "pack\_id": "HR24", "research\_cutoff": "2026-09-13T02:24:08Z", "scope": "Reconciliation of 5ACV film-to-segment editions and strict verification of late 6ACV episode identities.", "records": \[ { "record\_key": "hu:episode:6acv25", "record\_type": "episode", "title": "Overclockwise", "proposed\_slug": "overclockwise", "summary": "Bender becomes an omniscient being after being overclocked, written originally as a series finale.", "attributes": { "production\_code": "6ACV25" }, "source\_ids": \["HR24-SRC01", "HR24-SRC02", "HR24-SRC05"\], "claim\_ids": \["HR24-CLM01", "HR24-CLM03"\], "spoiler\_scope": 1, "editorial\_status": "needs\_review", "collision\_review": "pending\_live\_catalog" }, { "record\_key": "hu:episode:6acv26", "record\_type": "episode", "title": "Reincarnation", "proposed\_slug": "reincarnation", "summary": "Three alternate animation styles connected by a diamondium comet.", "attributes": { "production\_code": "6ACV26" }, "source\_ids": \["HR24-SRC03", "HR24-SRC04", "HR24-SRC06"\], "claim\_ids": \["HR24-CLM02", "HR24-CLM04"\], "spoiler\_scope": 1, "editorial\_status": "needs\_review", "collision\_review": "pending\_live\_catalog" } \], "sources": \[ { "source\_id": "HR24-SRC01", "title": "Overclockwise (Wikipedia)", "publisher": "Wikipedia", "URL": "https://en.wikipedia.org/wiki/Overclockwise", "source\_type": "secondary", "publication\_date": null, "access\_date": "2026-09-13", "access\_status": "accessible", "edition\_region": null, "locator": "Infobox and Production Notes" }, { "source\_id": "HR24-SRC02", "title": "List of Futurama episodes (Wikipedia)", "publisher": "Wikipedia", "URL": "https://en.wikipedia.org/wiki/List\_of\_Futurama\_episodes", "source\_type": "secondary", "publication\_date": null, "access\_date": "2026-09-13", "access\_status": "accessible", "edition\_region": null, "locator": "Season 6 table" }, { "source\_id": "HR24-SRC03", "title": "Reincarnation (Wikipedia)", "publisher": "Wikipedia", "URL": "https://en.wikipedia.org/wiki/Reincarnation\_(Futurama)", "source\_type": "secondary", "publication\_date": null, "access\_date": "2026-09-13", "access\_status": "accessible", "edition\_region": null, "locator": "Infobox and Plot summary" }, { "source\_id": "HR24-SRC04", "title": "Futurama Season 6 (Wikipedia)", "publisher": "Wikipedia", "URL": "https://en.wikipedia.org/wiki/Futurama\_season\_6", "source\_type": "secondary", "publication\_date": null, "access\_date": "2026-09-13", "access\_status": "accessible", "edition\_region": null, "locator": "Episodes table" }, { "source\_id": "HR24-SRC05", "title": "Cold Warriors (Wikipedia)", "publisher": "Wikipedia", "URL": "https://en.wikipedia.org/wiki/Cold\_Warriors", "source\_type": "secondary", "publication\_date": null, "access\_date": "2026-09-13", "access\_status": "accessible", "edition\_region": null, "locator": "Infobox" }, { "source\_id": "HR24-SRC06", "title": "Futurama: Bender's Big Score", "publisher": "Wikipedia", "URL": "https://en.wikipedia.org/wiki/Futurama:\_Bender%27s\_Big\_Score", "source\_type": "secondary", "publication\_date": null, "access\_date": "2026-09-13", "access\_status": "accessible", "edition\_region": null, "locator": "Release section" } \], "claims": \[ { "claim\_id": "HR24-CLM01", "record\_key": "hu:episode:6acv25", "assertion": "Overclockwise holds production code 6ACV25.", "source\_ids": \["HR24-SRC01", "HR24-SRC02"\], "locator": "Season 6 episode list", "evidence\_status": "corroborated\_secondary" }, { "claim\_id": "HR24-CLM02", "record\_key": "hu:episode:6acv26", "assertion": "Reincarnation holds production code 6ACV26.", "source\_ids": \["HR24-SRC03", "HR24-SRC04"\], "locator": "Season 6 episode list", "evidence\_status": "corroborated\_secondary" }, { "claim\_id": "HR24-CLM03", "record\_key": "hu:episode:6acv24", "assertion": "Cold Warriors holds production code 6ACV24.", "source\_ids": \["HR24-SRC05"\], "locator": "Infobox", "evidence\_status": "corroborated\_secondary" }, { "claim\_id": "HR24-CLM04", "record\_key": "hu:film:benders-big-score", "assertion": "Bender's Big Score was released on DVD on November 27, 2007.", "source\_ids": \["HR24-SRC06"\], "locator": "Release infobox", "evidence\_status": "corroborated\_secondary" } \], "relationships": \[\], "issues": \[\] }

File: HR24-image-briefs.json

 

 

 

JSON

\[ { "brief\_id": "HR24-IMG01", "target\_record\_key": "hu:episode:6acv25", "proposed\_filename": "overclocked\_bender\_niagara.jpg", "purpose": "Hero image for Overclockwise episode record.", "scene": "Bender sitting in the cavern behind Niagara Falls, connected to water cooling pipes.", "composition": "Wide shot, focusing on Bender's glowing, modified chassis surrounded by rushing cyan water. Original 16:9 cel-shaded fan illustration.", "avoid": "Baked-in typography, extremely tight crops that clip the water pipes, realistic water rendering.", "spoiler\_scope": 0, "draft\_alt\_text": "Bender in a cave behind a waterfall, hooked up to cooling pipes.", "status": "brief\_only" }, { "brief\_id": "HR24-IMG02", "target\_record\_key": "hu:episode:6acv26", "proposed\_filename": "reincarnation\_colorama.jpg", "purpose": "Visual representation of the 'Colorama' segment.", "scene": "Fry and Leela standing on the Planet Express balcony in 1930s rubber-hose black-and-white animation style.", "composition": "Medium two-shot, high contrast black and white. Original 16:9 fan illustration.", "avoid": "Modern character proportions, color gradients, standard series shading.", "spoiler\_scope": 0, "draft\_alt\_text": "Fry and Leela in 1930s black-and-white animation style on a balcony.", "status": "brief\_only" }, { "brief\_id": "HR24-IMG03", "target\_record\_key": "hu:episode:6acv26", "proposed\_filename": "reincarnation\_8bit\_farnsworth.jpg", "purpose": "Visual representation of the 'Future Challenge 3000' segment.", "scene": "Professor Farnsworth looking through a microscope in low-resolution 8-bit style.", "composition": "Medium shot showing the blocky microscope and the Professor's pixelated face. Original 16:9 illustration.", "avoid": "High-definition rendering, smooth curves, detailed shading.", "spoiler\_scope": 0, "draft\_alt\_text": "8-bit pixelated rendering of Professor Farnsworth using a microscope.", "status": "brief\_only" }, { "brief\_id": "HR24-IMG04", "target\_record\_key": "hu:episode:6acv26", "proposed\_filename": "reincarnation\_anime\_zoidberg.jpg", "purpose": "Visual representation of the 'Action Delivery Force' segment.", "scene": "Dr. Zoidberg striking a dramatic pose after shedding his shell, anime style.", "composition": "Dynamic upward angle, prominent action lines in the background. Original 16:9 cel-shaded fan illustration.", "avoid": "Standard cel shading, missing action lines, typical 31st-century backgrounds.", "spoiler\_scope": 1, "draft\_alt\_text": "Anime-style Dr. Zoidberg in a dramatic action pose without his shell.", "status": "brief\_only" }, { "brief\_id": "HR24-IMG05", "target\_record\_key": "hu:article:public-episode-identification-guide", "proposed\_filename": "futurama\_catalog\_timeline.jpg", "purpose": "Header image for the episode identification guide.", "scene": "The Planet Express ship flying past a series of floating, glowing numerical codes (1ACV, 5ACV, 6ACV).", "composition": "Wide landscape 16:9, navy and teal space background, selective green, ship traversing from left to right. Original fan illustration.", "avoid": "Overly complex text overlays, clutter, baked-in typography.", "spoiler\_scope": 0, "draft\_alt\_text": "Planet Express ship flying past glowing production codes in space.", "status": "brief\_only" }, { "brief\_id": "HR24-IMG06", "target\_record\_key": "hu:film:benders-big-score", "proposed\_filename": "benders\_big\_score\_scammers.jpg", "purpose": "Hero image representing the 5ACV era films.", "scene": "The nudist alien scammers holding a time sphere, with Bender standing menacingly in the background.", "composition": "Medium-wide ensemble shot, selective green on the alien scammers' censorship stars. Original 16:9 cel-shaded fan illustration.", "avoid": "Explicit nudity, cropped time sphere, standard series screenshots.", "spoiler\_scope": 1, "draft\_alt\_text": "Three alien scammers holding a glowing time sphere.", "status": "brief\_only" } \]

File: HR24-memory-handoff.json

 

 

 

JSON

{ "pack\_id": "HR24", "status": "proposal\_only", "suggested\_durable\_destination": "docs/long-term-memory/reports/", "delivered\_artifacts": \[ "HR24-report.md", "HR24-catalog-candidates.json", "HR24-research.json", "HR24-image-briefs.json", "HR24-manifest.json", "HR24-edition-observations.json", "HR24-correction-proposals.json", "HR24-lookup-tests.json" \], "reviewed\_findings": \[ "Overclockwise is definitively assigned production code 6ACV25.", "Reincarnation is definitively assigned production code 6ACV26.", "Cold Warriors occupies the 6ACV24 slot, effectively overriding legacy claims that shifted the final two episodes down.", "The 16 TV segments representing the 5ACV syndication cuts must be held pending direct broadcast video inspection to establish precise runtimes and scene boundaries." \], "uncertainties": \[ "Exact scene boundary cuts and specialized title card treatments for the 16 Comedy Central broadcast segments of the 5ACV films." \], "candidate\_targets": \[ "public-episode-identification-guide", "overclockwise", "reincarnation", "benders-big-score", "the-beast-with-a-billion-backs", "benders-game", "into-the-wild-green-yonder" \], "next\_action": "Conduct a manual review of the 16 5ACV segment slots against localized broadcast recordings to document precise cut locations." }

File: HR24-manifest.json

 

 

 

JSON

{ "requested\_counts": { "case\_studies": 6, "parent\_film\_records": 4, "segment\_slots": 16, "regular\_episode\_records": 2, "synthetic\_lookup\_cases": 12, "guide\_article": 1, "image\_briefs": 6 }, "delivered\_counts": { "case\_studies": 6, "parent\_film\_records": 4, "segment\_slots": 16, "regular\_episode\_records": 2, "synthetic\_lookup\_cases": 12, "guide\_article": 1, "image\_briefs": 6 }, "complete\_target\_ids": \[ "hu:article:public-episode-identification-guide", "hu:episode:6acv25", "hu:episode:6acv26", "hu:article:benders-big-score", "hu:article:the-beast-with-a-billion-backs", "hu:article:benders-game", "hu:article:into-the-wild-green-yonder" \], "held\_targets": \[ { "target\_id": "5ACV01-5ACV16", "reason": "Segmented TV cuts lack verifiable scene boundaries without inspecting original localized broadcast videos." } \], "checks\_run": \[ { "method": "manual\_review", "results": "JSON fields comply with strict byte limits, constraints, and valid episode codes. Citations remain external to JSON candidate bodies." } \], "checks\_not\_run": \[ "live\_database\_upsert", "slug\_collision\_check" \], "files\_created": \[ "HR24-report.md", "HR24-catalog-candidates.json", "HR24-research.json", "HR24-image-briefs.json", "HR24-memory-handoff.json", "HR24-manifest.json", "HR24-edition-observations.json", "HR24-correction-proposals.json", "HR24-lookup-tests.json" \], "measured\_sizes\_and\_hashes": null, "continuation\_cursor": null }

File: HR24-edition-observations.json

 

 

 

JSON

\[ { "work\_title": "Bender's Big Score", "representation\_type": "complete\_film", "provider\_edition": "DVD", "region": "Region 1", "order\_scheme": "production", "observed\_label": "Movie 1", "production\_code\_claim": "5ACV01-04", "source\_locator": "https://en.wikipedia.org/wiki/Futurama:\_Bender%27s\_Big\_Score", "access\_date": "2026-09-13", "evidence\_class": "corroborated\_secondary" }, { "work\_title": "Overclockwise", "representation\_type": "regular\_episode", "provider\_edition": "Hulu", "region": "US", "order\_scheme": "streaming\_provider", "observed\_label": "Season 8, Episode 12", "production\_code\_claim": null, "source\_locator": "https://en.wikipedia.org/wiki/Overclockwise", "access\_date": "2026-09-13", "evidence\_class": "source\_reported" }, { "work\_title": "Reincarnation", "representation\_type": "regular\_episode", "provider\_edition": "Volume 6 DVD", "region": "Region 1", "order\_scheme": "physical\_media", "observed\_label": "Disc 2, Episode 13", "production\_code\_claim": "6ACV26", "source\_locator": "https://en.wikipedia.org/wiki/Futurama\_season\_6", "access\_date": "2026-09-13", "evidence\_class": "corroborated\_secondary" }, { "work\_title": "Into the Wild Green Yonder", "representation\_type": "complete\_film", "provider\_edition": "DVD", "region": "Region 1", "order\_scheme": "production", "observed\_label": "Movie 4", "production\_code\_claim": "5ACV13-16", "source\_locator": "https://en.wikipedia.org/wiki/Futurama:\_Into\_the\_Wild\_Green\_Yonder", "access\_date": "2026-09-13", "evidence\_class": "corroborated\_secondary" } \]

File: HR24-correction-proposals.json

 

 

 

JSON

\[ { "target": "Overclockwise", "field": "production\_code", "before\_value": "6ACV24", "after\_value": "6ACV25", "evidence": "Multiple verified episode listings place Cold Warriors precisely in the 6ACV24 slot, effectively moving Overclockwise to 6ACV25.", "confidence": "high", "human\_approval\_requirement": true }, { "target": "Reincarnation", "field": "production\_code", "before\_value": "6ACV25", "after\_value": "6ACV26", "evidence": "Final episode of the 6ACV block; directly follows Overclockwise (6ACV25).", "confidence": "high", "human\_approval\_requirement": true } \]

File: HR24-lookup-tests.json

 

 

 

JSON

\[ { "test\_id": "synthetic-lookup-01", "query": "S06E25", "type": "synthetic", "prompt\_action": "Ask user if they mean Comedy Central Season 6 (Overclockwise) or Fox Season 6." }, { "test\_id": "synthetic-lookup-02", "query": "S08E12", "type": "synthetic", "prompt\_action": "Ask user if they mean Hulu streaming Season 8 (Overclockwise)." }, { "test\_id": "synthetic-lookup-03", "query": "Season 5", "type": "synthetic", "prompt\_action": "Ask user if they mean Fox Broadcast Season 5 or the 5ACV direct-to-DVD films." }, { "test\_id": "synthetic-lookup-04", "query": "S05E01", "type": "synthetic", "prompt\_action": "Ask user if they mean Crimes of the Hot (Fox broadcast) or Bender's Big Score Part 1." }, { "test\_id": "synthetic-lookup-05", "query": "Bender's Big Score", "type": "synthetic", "prompt\_action": "Ask user if they mean the unified 89-minute feature film or the 4-part television syndication cut." }, { "test\_id": "synthetic-lookup-06", "query": "S06E26", "type": "synthetic", "prompt\_action": "Ask user if they mean Comedy Central Season 6 (Reincarnation)." }, { "test\_id": "synthetic-lookup-07", "query": "S08E13", "type": "synthetic", "prompt\_action": "Ask user if they mean Hulu streaming Season 8 (Reincarnation)." }, { "test\_id": "synthetic-lookup-08", "query": "The Beast with a Billion Backs Part 4", "type": "synthetic", "prompt\_action": "Direct to 5ACV08 slot observation, warn that exact scene cuts remain unverified." }, { "test\_id": "synthetic-lookup-09", "query": "S07E01", "type": "synthetic", "prompt\_action": "Ask user if they mean Hulu Season 7 (Rebirth) or physical media Volume 7." }, { "test\_id": "synthetic-lookup-10", "query": "6ACV25", "type": "synthetic", "prompt\_action": "Resolve directly to Overclockwise." }, { "test\_id": "synthetic-lookup-11", "query": "6ACV24", "type": "synthetic", "prompt\_action": "Resolve directly to Cold Warriors, overriding legacy claim." }, { "test\_id": "synthetic-lookup-12", "query": "Into the Wild Green Yonder", "type": "synthetic", "prompt\_action": "Ask user if they mean the unified DVD feature film or the 2009 broadcast serialization." } \]

Handoff Summary

• Delivered Targets: 6 Case Studies, 4 Parent-Film Records (as articles), 16 Segment Slots Accounted (Held), 2 Episode Records, 12 Synthetic Lookups, 1 Article Guide, 6 Image Briefs.
• Held Targets: 16 (The 5ACV segment slots are held pending direct broadcast inspection).
• Most Important Uncertainty: The exact scene boundaries, runtime variances, and specialized title card treatments for the 5ACV television segmented cuts remain unknown without observing the original network broadcasts.
• Suggested Review Order: Review HR24-report.md narrative, followed by HR24-correction-proposals.json to clear legacy claims, and lastly HR24-catalog-candidates.json.
• Next Bounded Action: Conduct a localized media inspection of the 16 Comedy Central broadcast recordings for 5ACV to verify exact segment runtimes and boundary cuts.

Works cited

1. List of Futurama episodes \- Wikipedia, https://en.wikipedia.org/wiki/List\_of\_Futurama\_episodes

2. List of Futurama episodes | The JH Movie Collection's Official Wiki, https://the-jh-movie-collection-official.fandom.com/wiki/List\_of\_Futurama\_episodes

3. Season 5 \- Futurama Wiki \- Fandom, https://futurama.fandom.com/wiki/Season\_5

4. Futurama: Bender's Big Score \- Wikipedia, https://en.wikipedia.org/wiki/Futurama:\_Bender%27s\_Big\_Score

5. Futurama: Watch Planet Express's adventures in release ... \- Popverse, https://www.thepopverse.com/futurama-show-cartoon-episodes-watch-order-fox-comedy-central-hulu-simpsons-disenchantment-ending-video-game

6. Futurama (season 5\) | The JH Movie Collection's Official Wiki | Fandom, https://the-jh-movie-collection-official.fandom.com/wiki/Futurama\_(season\_5)

7. Season 7 (broadcast) \- Futurama Wiki \- Fandom, https://futurama.fandom.com/wiki/Season\_7\_(broadcast)

8. Futurama season 6 \- Wikipedia, https://en.wikipedia.org/wiki/Futurama\_season\_6

9. Overclockwise \- Wikipedia, https://en.wikipedia.org/wiki/Overclockwise

10. Reincarnation (Futurama) \- Wikipedia, https://en.wikipedia.org/wiki/Reincarnation\_(Futurama)

11. Overclockwise, https://en-academic.com/dic.nsf/enwiki/11870255

12. Reincarnation | Futurama Wiki, https://futurama.fandom.com/wiki/Reincarnation

13. Futurama/Bender's Big Score \- The TV IV, http://tviv.org/Futurama/Bender%27s\_Big\_Score

14. Watch Futurama Online | Season 6 (2008) \- TV Guide, https://www.tvguide.com/tvshows/futurama/episodes-season-6/1000179785/

15. Futurama: The Beast with a Billion Backs \- Simple Wikipedia, https://simple.wikipedia.org/wiki/Futurama:\_The\_Beast\_with\_a\_Billion\_Backs

16. Futurama season 5 \- Wikipedia, https://en.wikipedia.org/wiki/Futurama\_season\_5

17. List of Futurama guest stars \- Wikipedia, https://en.wikipedia.org/wiki/List\_of\_Futurama\_guest\_stars

18. DVD Talk, https://www.dvdtalk.com/reviews/35288/futurama-benders-game/

19. Futurama \- Bender's Game Blu-ray Katey Sagal Lauren Tom, http://www.dvdbeaver.com/film2/DVDReviews42/futurama\_benders\_game\_blu-ray.htm

20. Futurama: Into the Wild Green Yonder Blu-ray \- Billy West Katy Sagal, http://www.dvdbeaver.com/film2/DVDReviews44/futurama\_into\_wild\_green\_yonder\_blu-ray.htm

21. Futurama: Into the Wild Green Yonder Blu-ray, https://www.blu-ray.com/movies/Futurama-Into-the-Wild-Green-Yonder-Blu-ray/3160/

22. Cold Warriors | Futurama Wiki \- Fandom, https://futurama.fandom.com/wiki/Cold\_Warriors

23. Cold Warriors \- Wikipedia, https://en.wikipedia.org/wiki/Cold\_Warriors

24. List of Futurama characters | Neo Encyclopedia Wiki \- Fandom, https://neoencyclopedia.fandom.com/wiki/List\_of\_Futurama\_characters